Selasa, 19 Juni 2018

Download The Public Library: A Photographic Essay

Download The Public Library: A Photographic Essay

The Public Library: A Photographic Essay

The Public Library: A Photographic Essay


The Public Library: A Photographic Essay


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The Public Library: A Photographic Essay

Review

"A book for anyone with a deep and abiding love of libraries. Dawson's latest project is a powerful argument for the continued relevance of our public libraries as information and community centers, even as libraries adapt to changing technological and budgetary landscapes." - Library Journal"This collection of photographs and texts of and about libraries--grand or dead, faded or sumptuous--make up a narrative that combines the public sphere with private memory. Robert Dawson's work is an irrefutable argument for the preservation of public libraries. His book is profound and heartbreakingly beautiful." -- Toni Morrison"This beautifully crafted book celebrates public libraries across the U.S. in both color and black and white images captured by photographer Dawson over an 18-year period. Artfully arranged in such chapters as 'Civic Memory and Identity' and 'Literature and Learning,' the book includes a foreword by Bill Moyers and an afterword by Ann Patchett.. Dawson goes beyond the physical structures and touches on how viscerally and nostalgically Americans feel about public libraries, and suggests that, as a culture, we depend on them more than we know." - Publishers Weekly"The Public Library is absolutely wonderful in its entirety, at once an ode to the glory of our most democratic institutions and a culturally necessary prompt to defend them like we would defend our freedom to live, learn, and be-a freedom to which the library is our highest celebration." - Brain Pickings"Rich imagery of libraries across the national and cultural map, from cherished landmarks of the heartland to a Death Valley trailer parked in shade to lessen the heat. Add thoughtful text from the likes of Barbara Kingsolver to Amy Tan, and Dawson's subject goes beyond buildings to celebrate the civic realm." - San Francisco Chronicle"If you think all public libraries look pretty much the same, well, you need to take a look at this book. Oh, sure, there are plenty of grand ones, such as Philadelphia's own Central Library on the Parkway. But we also have the Fishtown Community Branch, featured in this volume, which used to be a firehouse and, before that, a stable. There's also the log cabin library in Cable, Wis. And many, many more, both grand and humble." - Philadelphia Inquirer"For book lovers, library denizens, and fans of architecture or Americana, The Public Library is a delight." - The Christian Science Monitor"Dawson's project makes a powerful case for how public libraries serve communities in every corner of the country." - The New Yorker's Page Turner blog

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About the Author

Robert Dawson's photographs have been recognized by a Fellowship from the National Endowment for the Arts and the Dorothea Lange-Paul Taylor Prize. He is an instructor of photography at San Jose State University and Stanford University.

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Product details

Hardcover: 192 pages

Publisher: Princeton Architectural Press; F First Edition edition (April 8, 2014)

Language: English

ISBN-10: 9781616892173

ISBN-13: 978-1616892173

ASIN: 161689217X

Product Dimensions:

8.2 x 1 x 9.5 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

47 customer reviews

Amazon Best Sellers Rank:

#76,370 in Books (See Top 100 in Books)

Bought this with intent to donate it to my local library. Now I am going to buy another copy....well, really, two copies....one for the major donor to the library when we were building it....and,,,one for me. Best coffee table book ever. I am going to put a picture of the James Kennedy Public Library inside the back cover.

Robert Dawson's lovingly and painstakingly produced photographic survey of a disappearing but tenaciously surviving public resource -- the local public library -- is a testament to its enduring value as a cultural resource, as an open-access storehouse of human knowledge and wisdom, and as a bastion of democracy. Bill Moyer's nostalgic, informative, and inspiring foreword; reflections by literary luminaries such as E. B. White, Amy Tan, Barbara Kingsolver, Philip Levine, Isaac Asimov, Dr. Suess, Anne Lamott, and others; and Ann Patchett's afterword provide a rich context for viewing Dawson's 18-years-in-the-making photographic survey, which records the incredible depth, breadth, and sheer variety of libraries that, together, comprise "An American Common" ever threatened by budget cuts and the vicissitudes of culture. To quote Bill Moyers: "Who knows where the emerging new commons will take us? But Robert Dawson shows us in this collection what is at stake: when a library is open, no matter what its size or shape, democracy is open, too."

As a retired public library and academic library employee, and bibliophile, I found this book to be quite satisfactory. The author and his son spent years locating and documenting libraries around the country - immense and tiny, traditional and modern, city and country. The Library of Congress considered the work to be of such value that it purchased his entire collection of images, negatives, digital images, and notes for its archive.The photography is excellent. The texts by prominent personalities and popular authors are thought provoking. The reproduction is superb.

If you love libraries, you must get this extremely well-produced book for your coffee table.There are many pictures of all kinds of libraries across America. We've already picked out several we wish to visit in our travels.In between pictures, there are short essays by various people including librarians.

This book is a visual delight of photos of libraries across the USA, many now not in use. A beautiful and sometimes sad picture of today's literary landscape. I'm glad it was captured by the camera before they were lost. Perhaps it will spur reclaiming and preserving the past where people hadn't thought to do so..

Whatever the cost of our libraries, the price is cheap compared to that of an ignorant nation. --Walter Cronkite-- this lively book is an homage to libraries large and small, urban and country. Terrific photos from across the US give the collection the feel of a pleasant cross country trip.

Gave as a gift to a librarian who appreciated and is enjoying it. That it is divided into topic categories seems perfectly suited for librarians. I've enjoyed reading it too since libraries have been such an important part of my life.

I purchased this book for two members of our library board. One of them is giving up on the library as they think that technology is taking over and that younger generations don't want books. The other is totally committed to preserving books in libraries and adding the technology as a tool, not a book replacement. I also bought one for councilman to educate them as to the incredible worth of libraries as documented in the fantastic book!

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Jumat, 08 Juni 2018

Ebook Belize (German Edition)

Ebook Belize (German Edition)

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Belize (German Edition)

Belize (German Edition)


Belize (German Edition)


Ebook Belize (German Edition)

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Belize (German Edition)

About the Author

Peter R. Wolf. wurde 1959 in Karl-Marx-Stadt (heute Chemnitz) geboren. Als Jugendlicher veröffentlicht er erste Essays und Gedichte, entscheidet sich aber dann für einen beruflichen Werdegang in naturwissenschaftlicher Richtung. Nach Studien der Mathematik, Physik und Abschluss als Diplom-Informatiker an der TU Dresden arbeitet er einige Jahre als Softwareentwickler in Sachsen und Baden-Württemberg, bevor er sich 1990 mit einer eigenen Computerfirma selbstständig macht. 2004 verwirklichte er den Jahre zuvor gefassten Entschluss, nach Belize auszuwandern. Hier betreibt er ein kleines Hotel ("The Green Valley Inn") und hat zurück zu seinem Hobby aus der Jugend, dem Schreiben, gefunden.

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Product details

Paperback: 182 pages

Publisher: Books On Demand (March 6, 2019)

Language: German

ISBN-10: 3837071928

ISBN-13: 978-3837071924

Product Dimensions:

5.8 x 0.4 x 8.3 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#8,210,316 in Books (See Top 100 in Books)

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Kamis, 07 Juni 2018

Free Download Nikon D3200: From Snapshots to Great Shots

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Nikon D3200: From Snapshots to Great Shots

Nikon D3200: From Snapshots to Great Shots


Nikon D3200: From Snapshots to Great Shots


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About the Author

Rob Sylvan is a freelance photographer, teacher, and author. He is also the Lightroom Help-Desk Specialist for the National Association of Photoshop Professionals and Kelby Training, and an instructor for the Perfect Picture School of Photography and thedigitalphotoworkshops.com. Rob writes the “Under the Loupe” column for Photoshop User Magazine and is the author of Lightroom 2 for Dummies, Lightroom 3: Video QuickStart Guide, The Photographer’s Quick Guide to Photoshop CS6, Nikon D5100: From Snapshots to Great Shots, and Taking Stock. He blogs about Lightroom at lightroomers.com.

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Product details

Series: From Snapshots to Great Shots

Paperback: 288 pages

Publisher: Peachpit Press; 1 edition (August 15, 2012)

Language: English

ISBN-10: 0321864433

ISBN-13: 978-0321864437

Product Dimensions:

7.4 x 0.6 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

130 customer reviews

Amazon Best Sellers Rank:

#329,491 in Books (See Top 100 in Books)

I recently graduated from a point and shoot camera to my first DSLR, the Nikon D3200. I was trying to decided between this book and a few others, and ended up choosing this one because it has a chapter completely dedicated to Landscape Photography, my main use for the camera.This is a great book for both getting yourself familiar with the D3200, as well as learning to get good photos with a DSLR. I particularly like how each photo in the book lists the ISO, Aperture, and Shutter Speed on it. I found this incredibly useful for gaining a better understanding of how those interact. I spent a few hours one evening reading through a lot of the book, and then went for a 10 mile hike in the CO mountains the next day and took photos that I was very happy with.My only gripe, and it's minor, is that there were a few times when a feature was discussed in the book, and it took me several minutes of messing around with the camera to figure it out. In both cases I found the explanation much further into the book in later chapters. Two examples:1. One of the first things the author encourages is to take the camera off of ISO Automatic mode. This being my first DSLR I had turned it on into the Auto mode I was used to, and could not figure out why the camera would not let me change the ISO. After much trial and error I figured out you have to be in one of the manual modes to change the ISO. This is mentioned in the chapters that deal with manual modes, but not when he first instructs you to make the change.2. The author explains all of the different viewing modes to review photos on the camera, and instructs how to enable them, but not how to actually access them with your pictures until later chapters. After hitting just about every button on the camera, I finally figured out that hitting up/down while viewing a picture does this. Again, this gets explained eventually, but not when you first learn about it.Outside of those minor frustrations, I found the book extremely informative and useful. I definitely recommend, especially for a new DSLR user looking to learn about taking better photos in addition to just using the D3200.

When I first purchased my Nikon D3200, I purchased two books - this one and David Busch's Nikon D3200 Guide.The Busch book is a fine book to have in your arsenal as it explains in minute detail how to operate every feature of your new camera. However, while it's a great operating manual, it doesn't teach you how to use those features to take great photographs.Nikon D3200: From Snapshots to Great Shots is more of a photography how-to book than an operating manual. You'll find plenty of tips here on how to operate your camera, but they're covered in the context of how to apply those features in order to take satisfying photographs. Some of the features that I particularly like in this book are the large color photographs at the beginning of each chapter which have call outs explaining how the camera was used to take the shot. I also found the step-by-step instructions for various tasks involved in different techniques extremely helpful. The assignments at the end of each chapter can be somewhat simplistic if you're already an experienced photographer, but even the simplistic assignments can help refresh your memory. The writing style throughout the book is conversational in tone and the language is approachable and easy to unerstand. I almost felt like a friend was explaining things to me.Overall, this is an excellent book that helped me to begin taking better photgraphs with my new camera right away. I know I will return to it again and again as I try new types of photography. I do think that Busch's book is worth purchasing as a companion as it provides a much more detailed technical look at the D3200, but this book is really a great starting point for anyone getting started with the Nikon D3200.

This is a great book. Simple written, straight to the point and with easy assignments to make you get more confortable with your new gear. The Nikon D3200 is an amazing piece of equipment, but you will be missing a lot using it as a point and shoot camera.This book will not teach you all about photography, but will teach you how to take amazing pictures with your new camera, and you point you to the right direction to became a proficiente amateur.I found it more way more useful than the "For Dummies" series, for half the price. Read it, practice with your camera, then came back here and search for books like "Understanding Exposure" or "BetterPhoto Basics: The Absolute Beginner’s Guide to Taking Photos Like a Pro" and take the next step.And if your are looking for tips about making movies, this is the wrong book. There's another one from the same series about it.

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Senin, 04 Juni 2018

Ebook Free , by Hotelier Tanji

Ebook Free , by Hotelier Tanji

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, by Hotelier Tanji

Product details

File Size: 670 KB

Print Length: 154 pages

Page Numbers Source ISBN: 1490480366

Publisher: http://www.hospitality-school.com/; 1 edition (June 30, 2013)

Publication Date: June 30, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00DQ8UCC4

Text-to-Speech:

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Amazon Best Sellers Rank:

#634,685 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This text is truly horrible. Errors abound so if you are looking for a rigorous exercise in proofreading and editing a book this is a great project for you; however, if you are looking for a book that you can actually use please select another text.The writers of this book clearly did not have the text proofread by a professional editor or even a high school English student. Not only is the text full of incorrect spelling but they frequently use homonyms and other incorrect terms. As for the SOP section they are useless because instead of actually giving instructions they simply say to do things properly.As a free download this book is not worth the time to read it much less the cost of purchasing a printed copy. It would be faster to write this information from scratch that it would be to correct the constant errors in this text.

Wasn't exactly what I was expecting but ok....

repeated information throughout, grammar and spelling is awful--like they didn't even bother to use a spell check. many of the SOPs are mis-named and repeated.some useful information but not worth the time to find it hidden amongst so much useless other stuff.

It is very basic, and very repetitive, just a bunch of lists from tasks that hotels don't do anymore, it is simply not worth the money.

BOOK HAD JUST BASIC INFORMATION AND ALOT OF FLUFF TO MAKE IT MORE LENGTHY

Terrible English

September 1, 2013Hi TanjiGreetings from Hotel Agrabad, BanglafeshAs We ran a very fast-paced Business, our standard of course, I have not gonethrough the Book thoroughly. Thus I have not seen information on Bed Size/ BedConfiguration of International Standard .Your feedback is truly appreciated.Tks & RgdsPatrick

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Free Ebook How to Read a Book: The Classic Guide to Intelligent Reading

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How to Read a Book: The Classic Guide to Intelligent Reading


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How to Read a Book: The Classic Guide to Intelligent Reading

Review

"These four hundred pages are packed full of high matters which no one solicitous of the future of American culture can afford to overlook." (Jacques Barzun)"It shows concretely how the serious work of proper reading may be accomplished and how much it may yield in the way of instruction and delight." (The New Yorker)"'There is the book; and here is your mind.' Adler and Van Doren's suggestions on how to connect the two will make you nostalgic for a slower, more earnest, less trivial time." (Anne Fadiman)

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About the Author

Dr. Mortimer J. Adler was Chairman of the Board of the Encyclopedia Britannica, Director of the Institute for Philosophical Research, Honorary Trustee of the Aspen Institute, and authored more than fifty books. He died in 2001.Dr. Charles Van Doren earned advanced degrees in both literature and mathematics from Columbia University, where he later taught English and was the Assistant Director of the Institute for Philosophical Research. He also worked for Encyclopedia Britannica in Chicago.

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Product details

Paperback: 426 pages

Publisher: Touchstone; Revised edition (August 15, 1972)

Language: English

ISBN-10: 0671212095

ISBN-13: 978-0671212094

Product Dimensions:

5.3 x 1.1 x 8.2 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

616 customer reviews

Amazon Best Sellers Rank:

#2,399 in Books (See Top 100 in Books)

A classic. Lost my book copy. The revised ebook edition is excellent.

I first read this book 50 years ago and then took from it one basic idea that has guided my reading ever since...That one idea was that every good non-fiction book deserves 3 readings. The purpose of the first rapid read is to get an overview of the general thrust or central thesis of the book. The second reading involves digging in, an attempt to understand and analyze the author's central argument or thesis, and the third reading is for the purpose of argument, i.e., of reflecting on where we agree with the book and where we disagree, and why...50 years after that first reading, i still try to follow the advice (above), and find it as helpful and true today as it was back then.So, what in particular did I gain in from my current reading of this fine book, this gem? Three or four things, all of which are, at least to me, important.First, re the value of reading the intro or the preface in which the author often says specifically and explicitly what his central thesis is.Second, re the value of reading the last chapter or even the very last 8 to 10 paragraphs in which the author may, once again, summarize the whole central purpose and argument of the book, which gives you a key to understanding the work in its entirety.And, third, don't begin arguing with a book until you are certain that you have understood it as well as you possibly can.Bottom-line, I'm happy that I went back to reread this fine book.

I have always had a nagging feeling that I didn’t know how to read well. This book showed me that I was right. But it also showed me that I wasn’t expected to know how to read well (not with the kind of education most of us receive) and that I wasn’t alone in my ignorance. Reading well involves hard work and precise skills. This book provides the latter — the former is up to us.We take reading for granted because we are supposed to be fully alphabetised at around tenth grade. We are not told that this is just the first level of reading — Elementary Reading (Part 1, Ch. 3) — when you learn to recognise the written symbols and to convey meaning from them. You learn how to grow your vocabulary on your own and to transfer and compare concepts from different reading materials. But most of us stop there. And from there we live the rest of our lives treating books in undeserving ways, wasting too much time on the bad ones and granting so little time to the good ones. The great ones, we hardly read, because they scare us.The problem of wasting time can be drastically diminished by applying the second level of reading — Inspectional Reading (Part 1, Ch. 4). This level means “skimming systematically” to grasp as much as you can from a book in a limited time-frame (possibly just a few minutes). That was an important skill on Adler and Doren’s time when libraries were the norm, but it is even more important now when you have digital previews of a plethora of books in services such as Amazon. If “Customer’s Review” sections existed during their time, I am sure they would also have devoted a portion of Chapter 4 to provide insights on how to better profit from them.The problem of spending little time on the good (or great) books can only be solved by the third level of reading — Analytical reading (Part 2). Without it, you either refrain from reading a good book altogether (specially a great one) or you read it badly. “Reading badly”, the book explains, is to read passively. Reading analytically is very active and it is hard work. To help us in this endeavour, the book provides extensive advice on how to physically mark the books we read (Part 1, Ch. 5). These note-taking techniques are indispensable to read well and the reader is advised to experiment with them and adapt them to his own style of understanding and to the new types of media now available.To read analytically you have to ask yourself a number of questions while reading and you must make your best to answer them yourself. The authors present these questions in sequence, but they are quick to explain that in practice (and with experience) we should try to answer them mostly simultaneously.First, you need to know what the book is about as a whole (Ch. 6 and Ch. 7). This means first categorising the book, then expressing its unity in as few words as possible. You should then proceed to outline its main parts, each of which should be treated as a subordinate whole and have its unity also expressed. This process could continue ad aeternum, but “the degree of approximation varies with the character of the book and your purpose in reading it”. At the end, you should have identified what questions the author wants to answer himself.After this more “descriptive” stage, you should now try to grasp the author’s message (Ch. 8 and Ch. 9). This means first reconciling the grammatical and the logical aspects of what he writes by matching his chosen words with the terms they express. Only then you can identify the important sentences and paragraphs (the grammatical units) in order to establish the author’s leading propositions and arguments (the units of thought and knowledge — the logical units). Once you have reached actual understanding by identifying and interpreting the author’s terms, propositions and arguments, you can now evaluate if the author has answered the questions (the problems) you identified earlier.You and the author are now peers and the best thing you can do now is to praise him by criticising his book (Ch. 10 and Ch. 11). However, in order to do so, there are rules, just like there are rules to reach understanding — there is an intellectual etiquette grounded on rhetorical skills the reader must possess. You should understand first and only then criticise, but not contentiously or disputatiously. You may disagree based on the author’s lack of information, misinformation or reasoning fallacies. You may also judge the author’s completeness as faulty. But the most important maxim is to do so with the sole intention of conveying and discussing knowledge, not opinions. “Knowledge consists in those opinions that can be defended” and “opinion is unsupported judgement.” You must be sure to distinguish between both.So you have described the book, you have understood it and you have criticised it — now what? This is the last (and possibly most important) question you should make. If the book has enlightened you, even if just a little, you must go further — you might even have to act upon it. I like what the authors say about this question applied to historical books: “The answer to the question lies in the direction of practical, political action.” History shows what has been done, so it is a lesson of what we can do or avoid doing. In the same way, whatever the kind of enlightenment you had by reading the book, you have had a glimpse of truth — you can’t ignore it now that you know it.Part 3 is useful in that it provides some interesting aspects of specific types of reading material, namely practical books, history (including biographies and current events), imaginative literature (including plays and poems), science and mathematics, philosophy and the social sciences. While a pleasure to read, it is not imperative that you do so if you have fully grasped the analytical reading process. There is, however, a lot of value in this part of the book, specially in the later chapters, and the reader is strongly advised to read it. One thing I should say is that, while they detail interesting aspects of reading imaginative literature, their techniques mostly apply to expository works. I think their best advice with respect to the former is “don’t try to resist the effect that a work of imaginative literature has on you”. This means allowing the work to show you “a deeper, or greater reality”. And this reality is “the reality of our inner life”. We don’t need any more rules than this one.The last part of the book presents the fourth (and highest) level of reading — Syntopical reading — or reading two or more books on the same subject. By reading syntopically you are not concerned with understanding each book in all its details — in fact, you won’t read any of the individual books analytically (not at the present syntopical reading effort, at least). Here you are reading each book for what it may contribute to your own problem, not for the book’s own sake. Furthermore, you are not reading to find the truth or to establish your own voice — you would be only one more voice in the conversation. You are simply trying to understand the controversy itself, to establish the many voices you hear in a pure exercise of dialectical objectivity. This is a fantastic topic, which the authors have materialised in their greatest contribution to mankind, in my opinion — the Syntopicon, volumes II and III of the Great Books of the Western World. The reader is very much advised to check it out.The book ends with two appendices. The first one provides a fascinating list of great books — the “endlessly readable” books. The list may seem overwhelming at first glance (and it is!), but the authors are prompt to address the reader and explain that the list does not have any time frame attached to it. I say it should just be begun — even an ignorant reader like me will be so flabbergasted by what he will learn that he will never stop reading it. This is a project for your life as a whole — to never stop reading these books. For a much more restrictive (but also magnificent) reading list, the reader is referred to the 10-year-reading plan provided in Adler’s Great Books.The second appendix provides exercises and tests on all four levels of reading. I must admit that I hadn’t read them until I got this far in my review. I then decided to do it and now I tell you this: just read it. If you have had literature classes as an undergraduate or graduate student, you might find it slightly commonplace. But if you haven’t, like me, you will be glad you read it. Like they state at the beginning of the appendix, the selected texts are "themselves worth reading", so you can’t lose much by doing so. It is a delightful taste of what awaits you in your future exploits of the Great Books — if you do well and accept the challenge, of course.On my part, simply put, this book has changed my life. It not only showed me "how" to read a book, but it also showed me "what" to read. I’ll be forever in debt with two of the greatest absent teachers I’ve had, Dr. Mortimer J. Adler and Dr. Charles Van Doren.

Apart from my school and college, I never spent much time in reading books. I hate reading novels, work of fictions, etc. Also, when i read, I read from first to last, trying to remember what I read and the success of the book is limited by the memory capacity of my brain. But this book, changed that all. The analytical reading method opened my eyes to a whole new world of opportunities. These days, i am purchasing two book every six months. I am love philosophy and psychology. So These expository works are respected by me as a reader as advised in this book. Now after reading a book, I have a little notebook that contains my interpretation of the topics and this gives me a whole new insight and intellect to what was discussed. Every schools and colleges should first teach this to students before recommending papers for sememsters.

The author explains his outlook on four levels of reading: elementary reading, inspectional reading, analytical reading and syntopical reading.The vast majority of people read at an elementary level, if they read at all. Newspapers, magazines are geared to this first level, that of seventh grade. Reading at this level is simple and unsophisticated you just look at every word until you've seen them all.The second level of reading is inspectional where the reader skims, or pre reads the preface, table of contents, index, and a few chapters. You should read the entire book superficially without regard to whether the reader understands it or not, the author explains. The authors believe  that this kind of superficial reading can prepare a reader for enjoying of more substantial books. They also claim, and I found this to be true, that this method should be used for great works first, then go back later for in depth reading for better understanding and enjoyment. I remember reading classics in school slowly and in depth, and like the authors say, you forget the beginning and meaning of the book before you even finish with these great classics. What's worse is you don't enjoy reading them at that point, and it's more drudgery.Adler and Van Doren then present how to classify books, and the approaches to take for each kind. This is a very in depth and thoughtful process that will greatly benefit real readers in multiple capacities.Â

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